Kis Kisko Pyaar Karoon 2 Review: Kapil Sharma’s Chaotic Sequel Struggles to Find New Laughs

A decade after his debut, India’s comedy king returns to the big screen in a slapstick sequel that leans heavily on nostalgia but falters on novelty.

• Genre: Comedy / Romance / Drama

• Director: Anukalp Goswami

• Cast: Kapil Sharma, Manjot Singh, Hira Warina, Tridha Choudhary, Parul Gulati, Ayesha Khan, Sushant Singh, Asrani

• Release Date: December 12, 2025

• Runtime: 2h 22m

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Introduction

Ten years ago, Kapil Sharma made a successful transition from television to cinema with Kis Kisko Pyaar Karoon, a film that played to his strengths: rapid-fire dialogue, innocent charm, and the classic “comedy of errors” trope. In 2025, Sharma returns with Kis Kisko Pyaar Karoon 2, directed by Anukalp Goswami. The sequel attempts to recreate the frantic energy of its predecessor, upping the ante by increasing the number of wives and the complexity of the lies. While Sharma’s comic timing remains impeccable, the film itself feels like a relic from a bygone era of Bollywood comedy, struggling to justify its existence in a cinematic landscape that has since moved on to more grounded or experimental humor.

Plot Synopsis

The narrative centers on Mohan Sharma (Kapil Sharma), a well-meaning but perpetually unlucky man whose simple desire to marry his true love, Saniya (Hira Warina), spirals into a logistical nightmare. Due to a series of contrived misunderstandings and forced circumstances—a staple of the genre—Mohan finds himself accidentally married to three other women: Meera (Tridha Choudhary), Ruhi (Ayesha Khan), and Jennie (Parul Gulati).

Each wife belongs to a different faith, forcing Mohan to adopt three distinct personas to maintain domestic peace. He juggles his time, attire, and dialect between three households, aided by his childhood friend and enabler, Harbir (Manjot Singh). The conflict escalates when Saniya re-enters his life, unaware of his triple marital status. Convinced that she is “the one,” Mohan audaciously plans a fourth wedding.

Adding to the chaos is Inspector David D’Costa (Sushant Singh), a relentless cop tracking a mysterious suspect known for polygamy. As the wedding day approaches, Mohan’s house of cards begins to tremble, leading to a climax involving mistaken identities, a chase sequence, and the inevitable collision of all four women.

Critical Analysis

Direction and Screenplay

Director Anukalp Goswami, known for his writing on The Kapil Sharma Show, approaches the film less like a cinematic feature and more like an extended sketch. The screenplay relies heavily on the “suspension of disbelief,” asking the audience to ignore glaring logical fallacies in favor of gags. While this worked in the 90s (think Govinda’s Sandwich or Coolie No. 1), the execution here feels dated. The pacing is frantic, often mistaking noise and confusion for genuine humor. However, Goswami does succeed in keeping the tone lighthearted; despite the problematic premise of deceit, the film maintains a “clean” family-entertainer vibe, avoiding overly raunchy humor.

Performances

Kapil Sharma is the undisputed anchor of the film. He displays a visible comfort in front of the camera that was perhaps less refined in his debut. His ability to deadpan in the face of absurdity saves several weak scenes. He also showcases a surprising emotional range in the film’s quieter moments, particularly when his character reflects on the burden of his lies.

Manjot Singh, playing the “hero’s best friend,” is a standout. His comic timing is natural, and his chemistry with Sharma provides the film’s most genuine laughs. Among the female leads, Tridha Choudhary brings the most poise to her role, managing to stand out despite the crowded screen time. Hira Warina, however, struggles with the melodramatic demands of her character, often feeling out of sync with the film’s comic rhythm.

Veteran actor Asrani and Sushant Singh deliver reliable performances, though their characters are written as broad caricatures rather than fleshed-out roles.

Visuals and Sound

The production design is vibrant, if somewhat garish, reflecting the heightened reality of the genre. The sets—particularly the three distinct houses—are color-coded to help the audience track the chaos, a helpful visual shorthand. The cinematography is functional, capturing the action clearly but lacking any stylistic flair.

Musically, the film is a mixed bag. The track “Phurr,” featuring Yo Yo Honey Singh, injects some necessary energy, but the romantic ballads feel like interruptions rather than narrative enhancers. The background score is intrusive, often telegraphing the jokes before they land with cartoonish sound effects.

Themes

Underneath the slapstick, the film attempts to weave in a message about communal harmony. By having Mohan navigate households of different faiths, the script touches on the idea that love transcends religious boundaries. However, this message is delivered with the subtlety of a sledgehammer and often gets lost in the noise of the farcical plot.

Strengths & Weaknesses

Strengths	Weaknesses
Kapil Sharma’s Performance: His comic timing and screen presence are effortless.	Outdated Script: The “multiple wives” trope feels regressive and tired in 2025.
Manjot Singh: Provides excellent comic relief and support.	Repetitive Humor: Many jokes are recycled from Sharma’s TV show or the 2015 prequel.
Family Friendly: Safe for viewing with children and elders; avoids vulgarity.	Weak Music: Apart from one track, the soundtrack is forgettable.
Pacing: The film moves quickly, rarely allowing boredom to settle in.	Contrived Plot: Requires a massive suspension of logic to enjoy.

Final Verdict

Kis Kisko Pyaar Karoon 2 is a film designed strictly for the loyalists of Kapil Sharma’s brand of comedy. It offers nothing new to the genre and arguably takes a step back in terms of storytelling sophistication. It is a loud, colorful, and chaotic remix of its predecessor that functions more as a comfort watch for weekend television than a must-watch theatrical experience.

If you enjoy brain-dead humor and miss the slapstick comedies of the early 2000s, this film will provide a few hours of harmless entertainment. However, for those seeking wit, innovation, or a modern take on romance, this sequel is a missed connection.

Rating: 2.5 / 5